Il redattore capo Anna Wintour e il direttore creativo Grace Coddington si scontrano ripetutamente sul numero di settembre di Vogue, con esiti disatrosi per l'umore della povera Grace.
Grace la rossa dal gusto romantico la rivelazione di Vogue e ad ogni servizio che curava il mio pensiero era sempre"ma perchè non dirige lei Vogue America?".
Coddington è nata da genitori albergatori sull'isola di Anglesey, Galles, nel 1941 - distante anni luce dal mondo della moda ma la grande svolta è stata vincere il concorso modella di Vogue.
Coddington racconta quegli anni con un calore e ancora un po 'con gli occhi spalancati a sorpresa come lei, la timida ragazza gallese, ha fatto, prima di un terribile incidente d'auto a porre fine alla sua nascente carriera. L'incidente l'ha costretta a plurime operazioni plastiche.
Così a 28 anni è stato impiegata come redattore di moda junior. Ha lavorato con i grandi - Helmut Newton, David Bailey, Norman Parkinson, Sarah Moon .
Così Wintour e Coddington hanno condiviso la parte migliore di una vita a lavorare insieme. Nel numero di settembre, vediamo le loro battute stenografia, le espressioni facciali, che spesso dicono più delle parole.
The editor in chief Anna Wintour and creative director Grace Coddington clash repeatedly in the September issue of Vogue, with disastrous results for the mood of the poor Grace.
Part of a fashion shoot epic, excellently edited by Grace, has been dropped by the formidable editor-in-chief, Anna Wintour.
And 'this red with a romantic revelation of Vogue and any service that cured my thought was always "but why not direct her American Vogue?".
Shooting with the photographer Steven Meisel, would take place, not in a colored smoke Pigalle brasserie, but brasserie Balthazar in SoHo, New York. The magical transformation, fiction and romance are what the vision is Coddington.
Speaking to camera, Coddington confesses his frustration with the killing of a beautiful opening image: "I really want much to what I do ... It is becoming increasingly difficult to see just thrown out. And it is very difficult to go forward with the next thing. "
Coddington was born to parents hoteliers on the island of Anglesey, Wales in 1941 - light years away from the fashion world but the big breakthrough was winning the competition model of Vogue.
Coddington says those years with a warmth and a little more 'wide-eyed surprise as she, the shy girl Welsh, made before a terrible car accident to end his nascent career. The incident has forced it to multiple plastic surgery.
So at 28 years was employed as a junior fashion editor. He has worked with large - Helmut Newton, David Bailey, Norman Parkinson, Sarah Moon.
Coddington then moved to America to work at Vogue under Anna Wintour in July 1988, essentially retraining your income and lifestyle - even if the September issue reveals that she is happier with her cats, a minimalist unpretentious wardrobe black and white, his partner and a Didier Malige pile of books.
So Wintour and Coddington have shared the best part of life working together. In the September issue, we see their shorthand characters, facial expressions, often speak louder than words.
When Wintour kill shot on color blocking trend that had been assigned to the editor Edward Enninful, Coddington is sympathetic, but warns: "You have to be harder ... do not be kind. Even with me. Honestly, why bother." And just before the September issue goes to press, we see Coddington, less miserable, reshooting color story for orders blocking Wintour, turning in one day. The editorial is a dynamic view of fashion model jumps, laughs, plays.
Honestly this is not fashion and culture to people who do not care to match the shoes with the bag is a DVD that deserves indeed to be seen.
Knowing how an editorial staff, to interpret a role, giving space to young designers to get to know and realize that there is no escape from human conflict strengthened defeated but it is something that everyone should learn.